This bit of historical fiction, which tells the story of 17 year-old Artemisia Gentileschi of Rome, highlights the young artist's seventeenth year. Artemisia lives to paint. She is far more talented with a brush than her father, who signs his name to the finished paintings before selling them, even though he insists that she work to improve her technique. When Artemisia's father sends an established painter, Agostino Tassi, to the studio to tutor her, the atmosphere changes from flirtatious to sexually aggressive. He rapes her and takes no responsibility for the incident. She's only a woman - someone's property. Artemisia has no rights, but insists on a trial anyway, where she submits to social humiliation and physical torture to prove her innocence. This story, written in verse, switches to prose whenever Artemisia remembers her mother's retelling of Biblical stories from the perspective of resilient women, such as Susanna and Judith. Artemisia takes inspiration from these women, who were also trapped in circumstances where men controlled their lives. The idea of perspective is front and center, in the retelling of Bible stories from a woman's point of view, in the creation of paintings with a feminine eye vs. that of a man, and the interjection of our modern-day expectations into a historical setting. Don't miss the Afterword for more information about this amazing Italian artist who was born four centuries too early for her independent thoughts.
Lynette Suckow, Superiorland Preview Center, Marquette, MI